本文旨在詮釋兩場畢業音樂會「胡峻銓畢業音樂會」之演出內容。筆者擅長的樂器為低音提琴以及電貝斯，分別以兩場演出呈：第一場演出與我參與的樂團夜幕之眼吉普賽爵士樂團(Dark Eyes Gypsy Jazz Band)演出小提琴低音提琴與吉他的三重奏組合，由於並沒有鼓組的演出在編曲及演出上充滿挑戰性；第二場演出則使用電貝斯，帶來許多著名貝斯大師的音樂，如：維克多‧沃騰(Victor Wooten)，馬克思‧米勒(Marcus Miller)，傑可‧帕斯透瑞斯(Jaco Pastorious)等等，並且使用了BOSS RC-30 樂句循環工作站帶來兩首獨奏演出。

This essay is an interpretation of two Chun Chuan HU’s recital. Hu specialized in playing both double bass and electric bass. First show Hu played double bass with Dark Eyes Gypsy Jazz Band trio; there are violin, gypsy guitar in the rest of the band. It was a great challenge to play and arrange since there was no other rhythmic instrument like drums or other guitars in the performance. Hu played electric bass in the second performance. He played music by some great bassist such as Victor Wooten, Marcus Miller and Jaco Pastorious and played solely with BOSS RC-300 loop station

一、 第一場演奏曲目之樂曲解說與詮釋 1
(一) 曲目一：Made for Wesely 1
(二) 曲目二：夏天(Estate) 1
(三) 曲目三：Tricotism 2
(四) 曲目四：令人不安的波雷洛(Troubulant Bolero) 3
(五) 曲目五：Song d’Automne 3
(六) 曲目六：Bluesette 4
(七) 曲目七：Blues Arranger 4
(八) 曲目八：雲(Nuages) 5
(九) 曲目九：Indifference 5
(十) 曲目十：Polka Dots and Moonbeam 5
(十一) 曲目十一：在陽光明媚的街道上(On the Sunny Side of the Street) 6
(十二) 曲目十二：Minor Swing 7
(十三) 曲目十三：Second line（Joe Avery Blues） 8
二、 第二場演奏曲目之樂曲解說與詮釋 9
(一) 曲目一：Bright Size Life 9
(一) 曲目二：駝背山(Corcovado) 10
(二) 曲目三：Chega de Saudade(No More Blues) 11
(三) 曲目四：Isn’t She Lovely 11
(四) 曲目五：So What 12
(五) 曲目六：Donna Lee 13
(六) 曲目七：Blast 15
(七) 曲目八：Red Clay 15

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